Operator 13
A TRICK OF FATE MADE THEM BOTH ENEMY AND LOVER.
1934 | 82m | English
Popularity: 0.5 (history)
| Director: | Richard Boleslawski |
|---|---|
| Writer: | Herman J. Mankiewicz, Harvey F. Thew, Zelda Sears, Eve Greene |
| Staring: |
| American Civil War, 1862. After the disaster of the Second Battle of Bull Run, Major Allen, chief of the Secret Service of the Union, asks actress Gail Loveless to become one of his operators and infiltrate enemy territory. | |
| Release Date: | Jun 08, 1934 |
|---|---|
| Director: | Richard Boleslawski |
| Writer: | Herman J. Mankiewicz, Harvey F. Thew, Zelda Sears, Eve Greene |
| Genres: | Romance, War, Drama |
| Keywords | female spy, pre-code, based on short story, american civil war, confederate spy, 19th century |
| Production Companies | Metro-Goldwyn-Mayer |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Jan 28, 2026 Entered: Apr 25, 2024 |
| Name | Character |
|---|---|
| Marion Davies | Gail Loveless |
| Gary Cooper | Captain Jack Gailliard |
| Jean Parker | Eleanor |
| Katharine Alexander | Pauline |
| Ted Healy | Doctor Hitchcock |
| Russell Hardie | Littledale |
| Henry Wadsworth | John Pelham |
| Douglass Dumbrille | General Stuart |
| Willard Robertson | Captain Channing |
| Fuzzy Knight | Sweeney |
| Sidney Toler | Major Allen |
| Robert McWade | Colonel Sharpe |
| Marjorie Gateson | Mrs. Shackleford |
| Wade Boteler | Gaston |
| Walter Long | Operator 55 |
| Donald Mills | Medicine Show Singer |
| Harry Mills | Medicine Show Singer |
| Herbert Mills | Medicine Show Singer |
| John Mills | Medicine Show Singer |
| Sam McDaniel | Rufus (uncredited) |
| Francis McDonald | Denton (uncredited) |
| Reginald Barlow | Colonel Storm (uncredited) |
| Hattie McDaniel | Annie (uncredited) |
| Clarence Wilson | Josiah Claybourne (uncredited) |
| Franklin Parker | John Hay (uncredited) |
| John Larkin | Fisherman (uncredited) |
| E. Alyn Warren | General Ulysses S. Grant (uncredited) |
| Etta Moten | Slave At Medicine Show (uncredited) |
| Sterling Holloway | Wounded Union Soldier (uncredited) |
| Curly Howard | Confederate Soldier (uncredited) |
| Madame Sul-Te-Wan | Slave at Medicine Show ( Uncredited) |
| Martin Turner | Hickman |
| Name | Job |
|---|---|
| Cedric Gibbons | Art Direction |
| Douglas Shearer | Sound Director |
| A. Arnold Gillespie | Art Direction |
| Edwin B. Willis | Art Direction |
| Adrian | Costume Designer |
| Herman J. Mankiewicz | Writer |
| Frank Sullivan | Editor |
| George J. Folsey | Director of Photography |
| William Axt | Original Music Composer |
| Walter Donaldson | Songs |
| Gus Kahn | Songs |
| Robert W. Chambers | Short Story |
| Harvey F. Thew | Screenplay |
| Zelda Sears | Screenplay |
| Eve Greene | Screenplay |
| Richard Boleslawski | Director |
| Name | Title |
|---|---|
| Lucien Hubbard | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 5 | 13 | 1 |
| 2024 | 5 | 6 | 15 | 2 |
| 2024 | 6 | 5 | 13 | 1 |
| 2024 | 7 | 7 | 13 | 3 |
| 2024 | 8 | 7 | 12 | 4 |
| 2024 | 9 | 3 | 7 | 2 |
| 2024 | 10 | 7 | 12 | 3 |
| 2024 | 11 | 3 | 9 | 1 |
| 2024 | 12 | 2 | 5 | 1 |
| 2025 | 1 | 5 | 13 | 1 |
| 2025 | 2 | 3 | 5 | 1 |
| 2025 | 3 | 4 | 8 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 1 | 2 | 0 |
| 2025 | 9 | 3 | 4 | 2 |
| 2025 | 10 | 4 | 4 | 3 |
| 2025 | 11 | 3 | 5 | 2 |
| 2025 | 12 | 2 | 5 | 0 |
| 2026 | 1 | 0 | 0 | 0 |
| 2026 | 2 | 0 | 0 | 0 |
Trending Position
Well if you thought that “Batman” had a poor disguise, just wait to you see Marion Davies in this quite entertainingly predictable American Civil War adventure. “Gail” has been recruited by the original Mr. Pinkerton to act as a spy for the Yankees down amongst the Johnny Rebs and so blackens up, sp ... orts a washer-woman’s garb and adopts an accent that is supposed to help her pass as a serving wench. Luckily for her, those she is spying upon are not the sharpest bayonets on the gun, and pretty swiftly she has ingratiated herself with their deadly foes but along the way taken a bit of a shine to “Capt. Jack” (Gary Cooper). When she returns for a second bite at this intelligence gathering cherry, only this time looking more like something from a Parisian ballroom, she realises that her enemies are not quite so thick as she’d thought. Can she escape in time? Can she ever be with her true love? Unless you don’t actually know who won this particular conflict then there’s precisely no jeopardy at all here, but along the way there are some daft escapades, a few musical numbers and just enough romance to give Cooper a chance to show he’s not quite as wooden as the picket fences they are shooting from. Davies is game, especially at the start but like most of the rest of the cast here, is rather swimming against a tide of low-budget blandness and some 1930s racist stereotypes. These don’t sit so well nowadays, but watching near century old films with modern day attitudes can often be unrewarding, so it’s best to remember that if you’re going to give this mediocre ninety minutes a go.