Popularity: 2 (history)
Director: | Carl Schultz |
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Writer: | Clifford Green, Ellen Green |
Staring: |
Abby is a pregnant woman with a curious new boarder in the apartment over her garage. Turns out he's heaven-sent and is speeding along the Apocalypse by bloodying rivers, egging on plagues and following scripture word for word. | |
Release Date: | Apr 01, 1988 |
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Director: | Carl Schultz |
Writer: | Clifford Green, Ellen Green |
Genres: | Drama, Horror, Thriller |
Keywords | prophecy, apocalypse, gnosticism, christianity, catholicism, sacrifice, mystic, biblical plagues |
Production Companies | TriStar Pictures, Interscope Communications, ML Delphi Premier Productions |
Box Office |
Revenue: $18,875,011
Budget: $0 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Demi Moore | Abby Quinn |
Michael Biehn | Russell Quinn |
Jürgen Prochnow | David Bannon |
Peter Friedman | Father Lucci |
Manny Jacobs | Avi |
Lee Garlington | Dr. Margaret Inness |
Akosua Busia | Penny Washburn |
Arnold Johnson | Janitor |
John Walcutt | Novitiate |
Michael Laskin | Israeli Colonel |
Hugo Stanger | Old Priest |
Patricia Allison | Administrator |
Ian Buchanan | Mr. Huberty |
Harry Basil | Kids Korner Salesman |
Darwyn Carson | Reporter |
Glynn Edwards | Newscaster |
John Heard | Reverend |
Leonardo Cimino | Head Cardinal |
John Taylor | Jimmy Szaragosa |
Name | Job |
---|---|
Carl Schultz | Director |
Jack Nitzsche | Original Music Composer |
Caroline Biggerstaff | Editor |
Juan Ruiz Anchía | Director of Photography |
Francesca Bartoccini | Art Direction |
Michael Mills | Makeup Department Head |
Cricket Rowland | Set Decoration |
Laura Dash | Stunts |
Clifford Green | Screenplay |
Gail Rowell-Ryan | Hairstylist |
Robert Ryan | Key Makeup Artist |
Pennie DuPont | Casting |
Ellen Green | Writer |
Durinda Wood | Costume Design |
Stephen Marsh | Production Design |
James M. Halty | Stunts |
Ronnie Rondell Jr. | Stunts |
Dan Perri | Title Designer |
Debbie Evans | Stunts |
Gilbert B. Combs | Stunts |
Bob Orrison | Stunts |
Fred Lerner | Stunts |
Gary McLarty | Stunts |
Jimmy Ortega | Stunts |
Charlie Brewer | Stunts |
Gregory J. Barnett | Stunts |
Gary Hymes | Stunt Coordinator |
Michael Runyard | Stunts |
Name | Title |
---|---|
Kathleen Hallberg | Co-Producer |
Robert W. Cort | Producer |
Paul R. Gurian | Executive Producer |
Ted Field | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 23 | 33 | 17 |
2024 | 5 | 25 | 36 | 16 |
2024 | 6 | 24 | 47 | 12 |
2024 | 7 | 24 | 40 | 13 |
2024 | 8 | 21 | 33 | 12 |
2024 | 9 | 16 | 22 | 11 |
2024 | 10 | 18 | 28 | 12 |
2024 | 11 | 15 | 35 | 9 |
2024 | 12 | 13 | 19 | 8 |
2025 | 1 | 14 | 24 | 8 |
2025 | 2 | 10 | 15 | 3 |
2025 | 3 | 5 | 14 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 2 | 3 | 1 |
2025 | 7 | 1 | 1 | 1 |
2025 | 8 | 1 | 2 | 1 |
2025 | 9 | 2 | 3 | 1 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 499 | 582 |
"Abby" (Demi Moore) is married to lawyer "Russell" (Michael Biehn) and they are soon to have a child. As childbirth looms, though, she starts having some horrible nightmares. Full of loneliness and despair, she decides the best solution is to rent a garage room at their home to the enigmatic "Bannon ... " (Jürgen Prochnow) and that seems to open the doors for an apocalyptic scenario that is irrevocably tied up with her childbearing skills (and possibly a case her husband is prosecuting about a boy who committed parricide). As the story unfolds and her dreams become more lucid, she begins to realise that she is caught up in a re-enactment of the book of "Revelation" and the number seven is beginning to resonate ominously. It's actually not a bad fantasy concept, but it's pretty poorly cast with Moore well off form; the wooden as a spoon Prochnow spends much of it standing around looking like an extra from an horror movie and Biehn, well he only ever really was good for eye-candy - so... The narrative takes far too long to get interesting and the conclusion is all rather rushed and underwhelming. Carl Schultz might have fared better had he settled for a less box-office leading lady and built a more evenly balanced cast that could allow this ultimate story of the fate of mankind to develop with less ham. Watchable, I suppose, but forgettable.