Popularity: 6 (history)
Director: | Justin Kurzel |
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Writer: | Gary Gerhardt, Kevin Flynn, Zach Baylin |
Staring: |
A string of violent robberies in the Pacific Northwest leads veteran FBI agent Terry Husk into a white supremacist plot to overthrow the federal government. | |
Release Date: | Dec 05, 2024 |
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Director: | Justin Kurzel |
Writer: | Gary Gerhardt, Kevin Flynn, Zach Baylin |
Genres: | Drama, Crime, Thriller |
Keywords | based on novel or book, fbi, idaho, based on true story, murder, heist, bank robbery, counterfeit money, police shootout, white supremacists, 1980s, fbi agent |
Production Companies | AGC Studios, Riff Raff Entertainment, Chasing Epic Pictures |
Box Office |
Revenue: $1,970,445
Budget: $20,000,000 |
Updates |
Updated: Mar 04, 2025 (Update) Entered: Aug 14, 2024 |
Name | Character |
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Jude Law | Terry Husk |
Nicholas Hoult | Robert Jay Mathews |
Tye Sheridan | Jamie Bowen |
Jurnee Smollett | Joanne Carney |
Alison Oliver | Debbie Mathews |
Odessa Young | Zillah Craig |
Sebastian Pigott | Bruce Pierce |
George Tchortov | Gary Yarborough/Talk Show Caller |
Victor Slezak | Richard Butler |
Phillip Forest Lewitski | David Lane |
Matias Lucas | Tony Torres |
Bradley Stryker | Sam Stinson |
Morgan Holmstrom | Kimmy Bowen |
Marc Maron | Alan Berg |
Daniel Yip | Engineer |
Daniel Doheny | Walter West |
John Warkentin | Hotel Receptionist |
Vanessa Holmes | Bank Teller #1 |
Bryan J. McHale | Bank Manager |
Rae Farrer | Bank Teller #2 |
Carter Morrison | Spokane Cop |
Philip Granger | Sheriff Loftlin |
Ryan Chandoul Wesley | Willie Bowen |
Huxley Fisher | Clinton Mathews |
Randy Fisher | Bonnie Sue's Father |
Geena Meszaros | Bonnie Sue West |
Sean Tyler Foley | Tony Bentley |
Sarah Haggeman | Connie Pierce |
Dayna Lea Hoffman | Another Mother |
Lenore Stillwell | Seattle Elderly Woman |
Jason Long | Seattle Armed Guard #1 |
Reid Fisher | Seattle Armed Guard #2 |
Jerod Blake | Seattle Armoured Car Driver |
Paul Wood | Nazi Speaker |
Shaun Marquardt | Brady's Gun Store Clerk |
Judith Buchan | Birdie Lane |
David LeReaney | Donald Lane |
Sally Bishop | Brinks Guard |
Stafford Perry | FBI Agent |
Chantal Perron | Jean Craig |
Name | Job |
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Steven McMichael | Stunt Coordinator, Second Unit Director |
Adam Arkapaw | "A" Camera Operator, Director of Photography |
Rhonda Fisekci | Casting |
Avy Kaufman | Casting |
Justin Ludwig | Supervising Art Director |
Ryan Watson | Set Decoration |
Rachel Dainer-Best | Costume Design |
Morgan Brady | Production Manager |
Brad Goodman | Post Production Supervisor |
Nick Fenton | Editor |
Eddie Thorne | First Assistant Director |
Johanna Posthuma | Second Assistant Director |
Ben Saracini | Script Supervisor |
Edward Smith Taylor | Assistant Art Director |
Jed Kurzel | Original Music Composer |
Dale Marushy | Art Direction |
Lambert Novakovski | Third Assistant Director |
Michael Playfair | Production Sound Mixer |
Gary Gerhardt | Book |
Kevin Flynn | Book |
Eva Baulackey | Hair Department Head |
Sharon Toohey | Makeup Department Head |
Zach Baylin | Screenplay |
Andrew Neil | Sound Re-Recording Mixer, Sound Designer |
James Ashton | Sound Re-Recording Mixer |
Dylan Burgess | Foley Artist |
Steve Burgess | Foley Recordist |
David Williams | Sound Editor |
Jillian Ennis | Music Supervisor |
Amanda Nicholson | Set Designer |
Wendy Haffner | Set Decoration Buyer |
Emily Barnett | Set Decoration Buyer |
Andrea Clark | Set Decoration Buyer |
Chris Mitchell | Set Dresser |
Samantha Stebbe | Set Dresser |
Katja Schmidt | Set Dresser |
Craig Anderl | "B" Camera Operator |
Scott Lutley | Gaffer |
Jason Paradis | Special Effects Supervisor |
Michael Gibney | Special Effects Coordinator |
Sera Fisekci | Casting Associate |
Cayley Wreggitt | Casting Associate |
Daniel Frankel | Casting Associate |
Caroline M Collins | Casting Associate |
Gregory Watkins | Visual Effects Supervisor |
Jeremy Chen | Main Title Designer |
Annita Watkins | Visual Effects Producer |
Kent O'Connor | Visual Effects Supervisor |
Justin Kurzel | Director |
Karen Murphy | Production Design |
Ryan Watson | Set Decoration |
Name | Title |
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Lynne Bespflug | Co-Producer |
Alastair Burlingham | Executive Producer |
Stephen Fuss | Executive Producer |
Miguel Palos | Executive Producer |
Sean Patrick O'Reilly | Executive Producer |
Gary Raskin | Executive Producer |
Eric Rebalkin | Executive Producer |
Anant Tamirisa | Executive Producer |
Bryan Haas | Producer |
Ben Jackson | Producer |
Kate Susman | Executive Producer |
Zach Garrett | Executive Producer |
Zach Baylin | Executive Producer |
Jude Law | Producer |
Jeremy Saulnier | Executive Producer |
Justin Kurzel | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 5 | 13 | 1 |
2024 | 5 | 5 | 10 | 2 |
2024 | 6 | 4 | 18 | 1 |
2024 | 7 | 5 | 20 | 1 |
2024 | 8 | 7 | 12 | 4 |
2024 | 9 | 7 | 11 | 4 |
2024 | 10 | 11 | 25 | 4 |
2024 | 11 | 11 | 23 | 5 |
2024 | 12 | 116 | 298 | 15 |
2025 | 1 | 70 | 149 | 37 |
2025 | 2 | 134 | 295 | 23 |
2025 | 3 | 40 | 104 | 3 |
2025 | 4 | 10 | 13 | 6 |
2025 | 5 | 7 | 12 | 5 |
2025 | 6 | 6 | 9 | 3 |
2025 | 7 | 4 | 6 | 3 |
2025 | 8 | 6 | 6 | 6 |
Trending Position
Year | Month | High | Avg |
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2025 | 6 | 483 | 789 |
Year | Month | High | Avg |
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2025 | 5 | 217 | 632 |
Year | Month | High | Avg |
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2025 | 4 | 96 | 512 |
Year | Month | High | Avg |
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2025 | 3 | 69 | 209 |
Year | Month | High | Avg |
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2025 | 2 | 1 | 47 |
Year | Month | High | Avg |
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2025 | 1 | 24 | 234 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 2 | 170 |
I reckon it's quite a testament to the confidence of Nicholas Hoult that he's prepared to take on a role quite this odious. He's "Bob", an intelligent white supremacist who has splintered from an arian church scenario and allied with a few like-minded people. The arrival of "Husk" (Jude Law) to the ... area's long abandoned FBI office might put a fly in his ointment, though, as he befriends enthusiastic cop "Jamie" (Tye Sheridan) and both try to get to the bottom of the increasingly audacious crimes being carried out in the name of reclaiming the beautiful and unspoilt land of Idaho, and even the broader USA itself, from it's impure interlopers. It's a little slow off the mark, but once we have the battle lines set out and realise that both of these men are capable of playing cat and mouse ruthlessly, the drama gathers a pace that's well held together by the two protagonists. It shines quite a forceful light on the dangers of jingoism and also quite interestingly tries to present us with some modicum of the rationales behind what drives this innate hatred, or at least tolerates it. With an increasing degree of zealousness appearing once again in Europe, this serves as quite a well written and characterful lesson in just how easily traction can be found when fear and loathing are peddled together with ignorance or religion or, most toxically, both. I could have been doing without the agent's familial backstory. It seems we just can't hit the ground running with the story in hand without having to trawl through his past, his traumas and his excessive drinking habits; but I don't suppose that interfered too much as we headed to a denouement that's historical fact, and quite potently presented.
I found "The Order" unsettling but perhaps not quite for the reasons you might think. First off, whilst a lot of license has been taken here the bones of this tale of Neo Nazi's attempting to replace the US government in the 1980's really did happen. The facts of the tale have however been misco ... nstrued in a way that makes the core antagonists look worse than they really were. The question then becomes, why? Its not as if they were especially nice people to start with, right? In my opinion, its hard not to see a thread of contemporary politicking in this film. In essence the underlying message appears to be the US government are promoters of peace and stability, whilst anyone opposing them is a violent merchant of chaos. Its a simplistic perspective that ignores the real need for change in the USA. A nation that has made political corruption and destructive war, its core business. Moreover, its governmental system has a nasty habit of going after even peaceful, non radical reformers, as well as racist violent ones. Putting this consideration aside, how does this stack up as a film? Well, I'm seeing Jude Law in a new light. I'd never taken much notice of him in the past but he hands in a top notch performance in the role of an obsessive FBI agent, with a troubled personal life. Indeed, broadly speaking, acting in this film is excellent and it breathes life into the wholly believable characters. The story flows well too, starting off slowly and gradually picking up pace. I'm not especially a fan of "terrorists under the bed", style films so for me to say I enjoyed this, for the most part and found it thoughtful is quite the compliment. In summary, excellent acting and a strong script bring this tale of violent political extremists, to life. That said, its worth remembering that not all political reform is bigoted and violent. In fact, sometimes its very much needed. As is the case in the USA and elsewhere in the West, today