Popularity: 2 (history)
Director: | Oliver Stone |
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Writer: | Stanley Weiser |
Staring: |
The story of the eventful life of George W. Bush—his struggles and triumphs, how he found both his wife and his faith—and the critical days leading up to his decision to invade Iraq. | |
Release Date: | Oct 17, 2008 |
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Director: | Oliver Stone |
Writer: | Stanley Weiser |
Genres: | Drama, History |
Keywords | usa president, president, the white house, iraq war, politics, america |
Production Companies | Ixtlan Productions, Moritz Borman Productions |
Box Office |
Revenue: $29,506,464
Budget: $25,100,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Josh Brolin | George W. Bush |
Colin Hanks | Speechwriter #1 |
Toby Jones | Karl Rove |
Dennis Boutsikaris | Paul Wolfowitz |
Jeffrey Wright | Colin Powell |
Thandiwe Newton | Condoleezza Rice |
Scott Glenn | Donald Rumsfeld |
Richard Dreyfuss | Dick Cheney |
Bruce McGill | George Tenet |
Wes Chatham | Fraternity Enforcer |
Jesse Bradford | Fraternity President |
Sean Stone | Fraternity Pledge #1 |
Ben Mayer | Fraternity Pledge #2 |
James Cromwell | George H.W. Bush |
Juan Gabriel Pareja | Oil Worker |
Shea Lewis | Oil Rig Driller |
Randal Reeder | Oil Rig Foreman |
Marley Shelton | Fran |
Litt Martin | 1971 Houston Oilman #1 |
James Ron Parker | 1971 Houston Oilman #2 |
Michael Gaston | General Tommy Franks |
Keenan Harrison Brand | Marvin Bush |
Ellen Burstyn | Barbara Bush |
Jason Ritter | Jeb Bush |
Bryan Massey | Skeeter |
Noah Wyle | Don Evans |
Bill Jenkins | Jim Sale |
Brent Sexton | Joe O'Neill |
Jonathan Breck | Corn Dog |
Jennifer Sipes | Suzie Evans |
Jonna Juul-Hansen | Jan O'Neill |
Elizabeth Banks | Laura Bush |
Paul Rae | Kent Hance |
David Born | Texas Debate Moderator |
John Buffalo Mailer | Speechwriter #2 |
James Martin Kelly | NSC Official |
Rob Corddry | Ari Fleischer |
William Lanier | Resort Waiter |
Stacy Keach | Rev. Earle Hudd |
Gregory Alan Williams | Evangelical Minister |
Jon Michael Davis | 1988 Campaign Aide #1 |
Andrew Sensenig | Texas Reporter #1 |
Gabriela Ostos | Texas Reporter #2 |
Lisa Fairchild | Texas Reporter #3 |
Paul T. Taylor | Texas Reporter #4 |
Halley Rachal | Park Bench Voter #1 |
Dottie McWhiney | Park Bench Voter #2 |
Ronan Summers | CIA Official |
John Neisler | Cheney's Lawyer |
Ioan Gruffudd | Prime Minister Tony Blair |
Charles Fathy | Pres. Jacques Chirac (voice) |
Jim Garrity | TV Commentator #1 |
Anne Pressly | TV Commentator #2 |
Randall Newsome | Paul Bremer |
Jewel Williams | Legless Soldier |
Oscar Contreras | Burned Soldier |
Tom Kemp | Dr. David Kay |
Teresa Cheung | Miss China |
Brad Sham | White House Reporter |
Name | Job |
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Eric J. Bates | Property Master |
Kathy Brunswick | Construction Buyer |
Oliver Stone | Director |
Phedon Papamichael | Director of Photography |
Wylie Stateman | Supervising Sound Editor |
Julie Monroe | Editor |
John Richardson | Art Direction |
Stanley Weiser | Writer |
Paul Cantelon | Original Music Composer |
Nicholas Mastandrea | First Assistant Director |
Rajeev Malhotra | Post Production Supervisor |
Kathryn Yingling | Graphic Designer |
Gary L. Camp | "A" Camera Operator, Steadicam Operator |
Jeff Griffith | Second Assistant "A" Camera |
Frank D. Parrish | Second Assistant "B" Camera |
Janna Stern | Script Supervisor |
Jen Woodhouse | Assistant Editor |
David Shawn Harper | Utility Sound |
Gayle Anderson | Set Costumer |
Liz Staub | Key Costumer |
Trefor Proud | Makeup Department Head |
Theresa McCoy McDowell | Makeup Artist |
Karyn Huston | Key Hair Stylist |
Joe Hutshing | Editor |
Alex Hajdu | Art Direction |
Michael Dennison | Costume Design |
John Scheele | Visual Effects Supervisor |
Eric Kopeloff | Unit Production Manager |
Danny Hiele | Additional Director of Photography |
Lisa Livonius | Stunt Double |
John Vertrees | Assistant Art Director |
Aaron Boutte | Art Department Production Assistant, Art Department Assistant |
Joe Sanchez | First Assistant "A" Camera |
Fred L. McLane | First Assistant "B" Camera |
Sidney Ray Baldwin | Still Photographer |
Carlos Castillon | Assistant Editor |
David M. Roberts | Boom Operator |
Dena Matranga | Set Costumer |
Frances Jacques-LeCompte | Costumer |
Stephen Bettles | Prosthetic Makeup Artist |
Kim Santantonio | Hair Department Head |
Renate Leuschner | Wigmaker |
Lonnie Alvarado | Assistant Property Master |
Ryan French | Assistant Chief Lighting Technician |
Eric Meisner | Electrician |
Vic Keatley | Rigging Gaffer |
Victor Keatley IV | Best Boy Electric |
J. Christopher Campbell | Grip |
Joe Guzman | Grip |
Scott Patten | Rigging Grip |
Shane Gross | Special Effects Technician |
Seth Hansen | Second Second Assistant Director |
Lucie Bourgeau | Assistant Production Coordinator |
Leslie Borchert | Art Department Coordinator |
Frank Hendrick | Leadman |
Cory Parker | Set Dresser |
Phillip Joffrion | Swing |
Tim Smith | Swing |
Shawn Hueston | Assistant Location Manager |
Michael Grigsby | Production Accountant |
Jennie Myers | Second Assistant Accountant |
Alexis Chavez | Editor |
Derek R. Hill | Production Design |
Mel Cooper | Set Decoration |
Gary Summers | Sound Re-Recording Mixer |
Budd Carr | Executive Music Producer |
Gina Fortunato | Unit Production Manager |
Maria Mantia | Second Assistant Director |
Gregory Van Horn | Set Designer |
Robert Foster | "B" Camera Operator |
Charlie Nauman | Camera Loader |
Jonathan Schwartz | First Assistant Editor |
John Pritchett | Production Sound Mixer |
Nick Scarano | Costume Supervisor |
Caryn Frankenfield | Set Costumer |
Betsy Glick | Costumer |
John R. Bayless | Key Makeup Artist |
Rhonda Robinson | Property Master |
David Lee | Chief Lighting Technician |
Eric Felland | Electrician |
Tedd Underwood | Electrician |
Charles Ehrlinger | Best Boy Grip |
Tony Widmer | Dolly Grip |
Hilton Garrett | Grip |
Blake Pike | Key Rigging Grip |
Jim Bilz | Special Effects Coordinator |
Jeff Brink | Special Effects Supervisor |
Lisa Vijitchanton | Production Coordinator |
Elliott Eisman | Post Production Assistant |
Rich Andrade | Leadman |
Stephanie Emery | Set Decoration Buyer |
Michael Hendrick | Swing |
Sam Jacobs | Swing |
Ned R. Shapiro | Location Manager |
Christina DeCharles | Assistant Location Manager |
Kevin Bowe | Second Assistant Accountant |
Dean Allison | Construction Foreman |
Rick Davis | Transportation Captain |
Leslie-Ann Reale | Casting Assistant |
Katy Peppard | Casting Assistant |
Branden Spencer | Assistant Sound Editor |
Jane McKeever | Foley Editor |
James Moriana | Foley Artist |
Gary L.G. Simpson | Sound Engineer |
Sally Boldt | Music Editor |
Francine Marchetti | Visual Effects Producer |
Matt Wheeler | CG Artist |
Brian Aebly | Visual Effects Coordinator |
Natalie Palasota | Assistant Property Master |
Eli Everhard | Electrician |
Adam Mitchell | Electrician |
Ray Garcia | Key Grip |
Antonio V. Garrido | Dolly Grip |
David Easley | Grip |
Pete Jones | Grip |
Matt Floyd | Rigging Grip |
Anastacia C. Nemec | Second Second Assistant Director |
Maire Ni Rochain | Production Supervisor |
Joshua H. Creech | Production Secretary |
Daril Alder | Leadman |
Rhonda DeMarc-Elliott | Set Decoration Buyer |
Tommy Gilbert | Swing |
Ernerst J. Levron Jr. | Swing |
Kendrick Hudson | Assistant Location Manager |
Rip Russell | First Assistant Accountant |
Jerry G. Henery | Construction Coordinator |
Jerry Jackson | Transportation Coordinator |
Taylor Jenkins | Casting Assistant |
Tara Duncil | Casting |
Margit Pfeiffer | Dialogue Editor |
Jeffrey Wilhoit | Foley Artist |
Drew Webster | Sound Re-Recording Mixer |
Greg Zimmerman | ADR Recordist |
Chris Bankoff | Visual Effects Supervisor |
Deke Kincaid | Compositor |
Aaron Weldon | Visual Effects Supervisor |
Stefan Sonnenfeld | Visual Effects Producer |
Missy Papageorge | Visual Effects Producer |
Lisa Markou | Visual Effects Coordinator |
Heather Elisa Hill | Visual Effects Production Manager |
Brinkley A. Maginnis | Casting |
Renée Tondelli | ADR Supervisor |
Dan Hegeman | Sound Effects Editor |
David Young | Sound Engineer |
Nerses Gezalyan | Foley Mixer |
Greg Steele | ADR Mixer |
Andy Boyd | Visual Effects Supervisor |
Heather McCann | Visual Effects Coordinator |
Bridgitte Krupke | Visual Effects Producer |
Des Carey | Visual Effects Supervisor |
Salvatore Catanzaro | Visual Effects |
Phillip Hoffman | Visual Effects Producer |
Lisa Maher | Visual Effects Producer |
Alex Gitler | Visual Effects Compositor |
Tamara Hunter | Casting Associate |
Alex Romano | Visual Effects |
Mark Freund | Visual Effects Supervisor |
Gregory D. Liegey | Visual Effects Supervisor |
Mathias Frodin | Compositor |
Mark Norby | Stunt Double, Stunt Coordinator |
Sarah Halley Finn | Casting |
Bryan Becker | Stunt Double |
Michael Keller | Sound Re-Recording Mixer |
Toby Bronson | Key Set Costumer |
Matthew W. Mungle | Prosthetic Designer |
Tony Ward | Hairstylist |
Harry Cohen | Sound Effects Designer |
Name | Title |
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Paul Hanson | Producer |
Johnny Hon | Executive Producer |
Christopher Mapp | Executive Producer |
Peter D. Graves | Executive Producer |
Eric Kopeloff | Producer |
Elliot Ferwerda | Executive Producer |
Tom Ortenberg | Executive Producer |
Matthew Street | Executive Producer |
Suzie Gilbert | Co-Producer |
Moritz Borman | Producer |
Thomas Sterchi | Executive Producer |
Teresa Cheung | Executive Producer |
David Whealy | Executive Producer |
Ethan Smith | Co-Producer |
Bill Block | Producer |
Jon Kilik | Co-Executive Producer |
Albert Yeung | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 19 | 39 | 8 |
2024 | 5 | 22 | 55 | 11 |
2024 | 6 | 26 | 37 | 16 |
2024 | 7 | 31 | 44 | 18 |
2024 | 8 | 24 | 49 | 11 |
2024 | 9 | 12 | 16 | 9 |
2024 | 10 | 12 | 17 | 9 |
2024 | 11 | 16 | 44 | 7 |
2024 | 12 | 12 | 28 | 8 |
2025 | 1 | 13 | 30 | 8 |
2025 | 2 | 8 | 12 | 3 |
2025 | 3 | 5 | 10 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 1 | 2 | 0 |
2025 | 8 | 1 | 2 | 0 |
2025 | 9 | 3 | 4 | 2 |
Trending Position
Eeeehhhhh! I still don't know how to feel about this, and it's been a decade since I first watched it. And then there is the bias that will certainly seep through. I really hate the DNC in 2018...but in the '00's and still today, well, W. was to me what Nixon was to Hunter S. Thompson. There is l ... iterally no president I like less than W. So excuse the bias that may pop up here, I try to keep politics out of these in this insanely political age. So, on one hand (and I have been ripping into Stone lately) this is a SOLID Oliver Stone film. Unlike Snowden and World Trade Center, it actually has what you expect from an Oliver Stone film. And I can't not like that. Agree with Stone's politics or not...you go to see an Oliver Stone film because he can leave his mark on it...and this has that mark. So you can sit down and watch it and have that clear "I'm watching an Oliver Stone movie" feeling, and that is always enjoyable when you can do that. But then, it's been a decade since its release and that kind of mutes it. When it came out in 2008, W was still in office and just going to see it made you proud to be an American. Hardly any other country would allow someone to release a film critical of the CURRENT leader while he was still in office. It gave you a great "this is what makes America great" feeling, "this is what puts us above the rest of the world. Thank you Oliver Stone." But, it's been a decade, so you don't get that feeling from watching it now. You don't feel compelled to buy your ticket, and then go back and see it again to celebrate the 1st Amendment. And because of that, a decade later, it kind of makes you feel that it should have been released now instead of then. A decade later you remember the people that were celebrating in the streets when he was finally out. You remember that sense of relief that NOT Bush was in office. You remember the Obama victory...you remember the St. Paul horror, and the sense that the DNC could have run a rotting corpse and won. And then, after you remember all of that, you get the feeling that it would have made a better ending if Stone just waited a year to make the film. But despite all of that, it was a fair film. It was balanced (unlike this review) and that's probably because of what my late father used to say, he hated W. as a president, but felt he'd like him as a person. Which, unfortunately, is an attitude you're regrettably not allowed to have today. But that doesn't change the fact that you still feel like you are watching an Oliver Stone movie. It doesn't change the feeling of pride you got by going to see W. in the theaters when it was released. It doesn't change the fact that it is still a good movie...even if it's a better movie for the people that are old enough to remember it.
"W." is a film that delves into the presidency of George W. Bush, showcasing the historical significance of every individual who holds the highest office in the United States. The movie suggests that every president deserves a biography that captures their time in office, regardless of their success ... es or failures. Josh Brolin delivers a standout performance as George W. Bush, despite initial skepticism about his casting in the role. He effectively embodies the essence of Bush, portraying him as a somewhat goofy and party-loving figure who may not have taken his political responsibilities seriously at first. The film sheds light on Bush's journey to the presidency, depicting his struggles and personal growth leading up to the events before 9/11. It offers a captivating insight into Bush's term in office, particularly his decisions regarding going to war during his first term. Overall, "W." is a film that exceeds expectations and is worth watching for its portrayal of a complex political figure.