Holiday
An astonishing drama of double life and double love!
1930 | 91m | English
Popularity: 0.3 (history)
| Director: | Edward H. Griffith |
|---|---|
| Writer: | Horace Jackson |
| Staring: |
| A young man is torn between his free-thinking lifestyle and the tradition of his wealthy fiancée's family. | |
| Release Date: | Jul 03, 1930 |
|---|---|
| Director: | Edward H. Griffith |
| Writer: | Horace Jackson |
| Genres: | |
| Keywords | new year's eve, businessman, wealth, working class, attraction, family conflict, pre-code, courtship, high society, engagement party, class distinction, drunkenness, making money, sisters relationship |
| Production Companies | Pathé Exchange |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Jan 16, 2026 Entered: Apr 20, 2024 |
| Name | Character |
|---|---|
| Ann Harding | Linda Seton |
| Mary Astor | Julia Seton |
| Edward Everett Horton | Nick Potter |
| Robert Ames | Johnny Case |
| Hedda Hopper | Susan Potter |
| Hallam Cooley | Seton Cram |
| William Holden | Edward Seton |
| Creighton Hale | Pete Hedges |
| Mabel Forrest | Mary Jessup |
| Elizabeth Forrester | Laura Cram |
| Monroe Owsley | Ned Seton |
| Wilson Benge | Butler (uncredited) |
| Neal Dodd | Minister (uncredited) |
| Mary Forbes | Mrs. Pritchard Ames (uncredited) |
| Al Hill | Taxi Driver (uncredited) |
| Paul Power | Party Guest (uncredited) |
| Phillips Smalley | Party Guest (uncredited) |
| Ellinor Vanderveer | Party Guest (uncredited) |
| Name | Job |
|---|---|
| Norbert Brodine | Director of Photography |
| Harold E. Stine | Sound Engineer |
| Josiah Zuro | Music |
| Carroll Clark | Art Direction |
| Gwen Wakeling | Costume Design |
| Denzil A. Cutler | Sound Engineer |
| Clarence Slifer | Assistant Camera |
| Walter Hermann | Makeup Artist |
| Edward H. Griffith | Director |
| Daniel Mandell | Editor |
| Philip Barry | Theatre Play |
| Horace Jackson | Screenplay |
| Paul Jones | Assistant Director |
| Norman Devol | Additional Camera |
| Joseph LaShelle | Additional Camera |
| Roy Tripp | Assistant Camera |
| J.O. Williamson | Assistant Camera |
| Name | Title |
|---|---|
| E.B. Derr | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 5 | 10 | 1 |
| 2024 | 5 | 6 | 11 | 2 |
| 2024 | 6 | 7 | 25 | 2 |
| 2024 | 7 | 5 | 9 | 2 |
| 2024 | 8 | 9 | 23 | 2 |
| 2024 | 9 | 3 | 5 | 1 |
| 2024 | 10 | 4 | 7 | 2 |
| 2024 | 11 | 2 | 5 | 1 |
| 2024 | 12 | 2 | 5 | 1 |
| 2025 | 1 | 4 | 10 | 2 |
| 2025 | 2 | 2 | 4 | 1 |
| 2025 | 3 | 2 | 3 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 3 | 3 | 2 |
| 2025 | 11 | 4 | 12 | 0 |
| 2025 | 12 | 0 | 0 | 0 |
| 2026 | 1 | 0 | 1 | 0 |
| 2026 | 2 | 0 | 0 | 0 |
Trending Position
A pretty wooden Ann Harding tops the bill here in this rather stagily delivered rom-com. She ("Linda") is the independently-minded daughter of a wealthy family whose sister "Julia" (Mary Astor) has a whirlwind romance and wants to get married. Thing is, her intended "Johnny" (Robert Ames) doesn't qu ... ite measure up to expectations of blue-blooded father Edward" (William Holden) but "Linda" takes quite a shine to his free-spirited attitude, especially when he declares that he wants little of her family's wealth, but to retire early and enjoy the simple things in life. "Julia" isn't so impressed with the prospect of having an "idler" for an husband and so a denouement with all concerned looks set to recalibrate the relationships and reveal the truth about these characters. It's watchable enough, this, but the presentation is very stilted. The actors seem to be too pre-occupied seeking their cue spots to deliver their very set-piece lines for much of this sitting-room drama naturally, and that is especially obvious with the little thinly-stretched humour Philip Barry's original play provided. It does take a gentle swipe at new versus old money and at double standards, and would probably work quite well in a theatre, but on screen it's all a bit static.