Popularity: 6 (history)
Director: | Brad Bird |
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Writer: | Ted Hughes, Tim McCanlies |
Staring: |
In the small town of Rockwell, Maine in October 1957, a giant metal machine befriends a nine-year-old boy and ultimately finds its humanity by unselfishly saving people from their own fears and prejudices. | |
Release Date: | Aug 06, 1999 |
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Director: | Brad Bird |
Writer: | Ted Hughes, Tim McCanlies |
Genres: | Animation, Family, Adventure, Science Fiction |
Keywords | based on novel or book, small town, self sacrifice, cold war, villain, friendship, alien, meteorite, giant robot, autumn, fear of unknown, 1950s, mother son relationship, awestruck, euphoric, hopeful |
Production Companies | Warner Bros. Feature Animation |
Box Office |
Revenue: $23,300,000
Budget: $50,000,000 |
Updates |
Updated: Aug 03, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Jennifer Aniston | Annie Hughes (voice) |
Harry Connick Jr. | Dean McCoppin (voice) |
Vin Diesel | The Iron Giant (voice) |
James Gammon | Foreman Marv Loach / Floyd Turbeaux (voice) |
Cloris Leachman | Mrs. Lynley Tensedge (voice) |
Christopher McDonald | Kent Mansley (voice) |
John Mahoney | General Rogard (voice) |
Eli Marienthal | Hogarth Hughes (voice) |
M. Emmet Walsh | Earl Stutz (voice) |
Jack Angel | Additional Voices (voice) |
Bob Bergen | Additional Voices (voice) |
Mary Kay Bergman | Additional Voices (voice) |
Michael Bird | Additional Voices (voice) |
Devon Cole Borisoff | Additional Voices (voice) |
Rodger Bumpass | Additional Voices (voice) |
Robert Clotworthy | Additional Voices (voice) |
Jennifer Darling | Additional Voices (voice) |
Zack Eginton | Additional Voices (voice) |
Paul Eiding | Additional Voices (voice) |
Bill Farmer | Additional Voices (voice) |
Charles Howerton | Additional Voices (voice) |
Ollie Johnston | Additional Voices (voice) |
Sherry Lynn | Additional Voices (voice) |
Mickie McGowan | Additional Voices (voice) |
Ryan O'Donohue | Additional Voices (voice) |
Phil Proctor | Additional Voices (voice) |
Frank Thomas | Additional Voices (voice) |
Patti Tippo | Additional Voices (voice) |
Brian Tochi | Additional Voices (voice) |
Carole Jeghers | Firefighter Woman (voice) (uncredited) |
Name | Job |
---|---|
Moroni Taylor | Additional Storyboarding |
Lou Romano | Visual Development, Character Designer |
Michael Kamen | Orchestrator, Original Music Composer |
Stephen McLaughlin | Scoring Mixer, Music Score Producer |
Beau Borders | Sound Effects Editor |
Yarrow Cheney | CG Animator |
Joe Johnston | Character Designer |
Adam Burke | Animation |
Derek Lee Thompson | Animation |
David Parker | Sound Re-Recording Mixer |
Heather A. Maxwell | Animation |
Steven Wilzbach | Director of Photography |
Brad Bird | Director, Screenstory |
Fergal Reilly | Storyboard, Storyboard Artist |
Marci Liroff | Casting |
Tony Fucile | Head of Animation, Visual Development, Character Designer, Supervising Animator |
Peter Sohn | Animation |
Alan Bodner | Art Direction |
Mark Andrews | Storyboard Artist |
Ron Hughart | Additional Storyboarding, CG Animator |
Teddy Newton | Additional Storyboarding, Visual Development, Character Designer |
Stephen Schaffer | Assistant Editor |
Ted Hughes | Book, In Memory Of |
Robert Elhai | Orchestrator |
Dennis Leonard | Supervising Sound Editor |
Doc Kane | ADR Mixer |
Dominique Louis | Visual Development, Character Designer |
Jana Vance | Foley Artist |
Louis Gonzales | Layout |
Blake Neely | Orchestrator |
Randy Thom | Sound Designer |
Andrea Gard | Sound Design Assistant |
Brad Booker | CG Animator |
Greg Gibbons | Background Designer |
Ruben Chavez | Background Designer |
Lane Lueras | Animation |
Lauren Faust | Animation |
Christine Beck | Camera Operator |
Mark Whiting | Production Design, Character Designer |
Joan Peter | Assistant Production Manager |
Darren T. Holmes | Editor |
Tim McCanlies | Screenplay |
Dao Le | Production Office Assistant |
Laura Leganza Reynolds | Production Manager |
Craig R. Maras | Animation |
Viki Anderson | Storyboard |
Piet Kroon | Storyboard |
Steve Lumley | Storyboard |
Steve Markowski | Storyboard, Supervising Animator |
Dean Wellins | Storyboard, Supervising Animator, Storyboard Artist |
Amy Richards | Production Manager |
Jeannine Berger | Post Production Supervisor |
Scott T. Petersen | Animation |
Bill Perkins | Technical Supervisor |
Tanya Calderon | Production Office Assistant |
John Williamson | Animation |
Phil Langone | Animation |
Adam Henry | Animation |
Aaron Parry | Production Manager |
Mark Dinicola | Camera Supervisor |
Will Eisner | Thanks |
Christopher Brooks | Music Editor |
Terry Claborn | Color Timer |
Stephan Franck | Supervising Animator |
Sheri Galloway | First Assistant Editor |
John Currin | Assistant Editor |
Greg Snyder | Assistant Editor |
Andrew L. Schmidt | Animation |
Kevin O'Brien | Storyboard Artist |
Scott F. Johnston | Art Department Coordinator |
Brian Kindregan | Additional Storyboarding |
Harry Sabin | Additional Storyboarding |
Shaunda G. Jones | Casting Associate |
Mo Henry | Negative Cutter |
E. Tavares Black | Key Production Assistant |
Jennisen Svendsen | Key Production Assistant |
Jode Craig | Key Production Assistant |
Keith Brennan | Key Production Assistant |
Leslie Barker | Key Production Assistant, Assistant Production Manager |
Louis Moulinet | Key Production Assistant |
Monte A. Gagnier | Key Production Assistant |
Sam Mendlestein | Key Production Assistant |
William H. Frake III | Layout, Head of Layout |
Zeba Fahid | Production Accountant |
André Bivins | Production Assistant |
Anthony Lauro | Production Assistant |
Cirilo R. Gonzales Jr. | Production Assistant |
Corrine Salgado | Production Assistant |
Dustin Ellis | Production Assistant |
Helen Vuong | Production Assistant |
Henri Hovhanesyan | Production Assistant |
Jean M. Klanecky | Production Assistant |
Justin Balch | Production Assistant |
Kathy Tajbakhsh | Production Assistant |
Michael Leach | Production Assistant |
Sunny Ye | Production Assistant |
Jessica Dalton | Production Assistant |
Jeffrey Lynch | Head of Story |
John 'Juke' Logan | Music Consultant |
Preston Oliver | Music Arranger, Projection |
Dennie Thorpe | Foley Artist |
Mary Helen Leasman | Foley Editor |
Frank 'Pepe' Merel | Foley Recording Engineer |
Tony Eckert | Foley Mixer |
Gregory M. Gerlich | Production Sound Mixer |
Gregory H. Watkins | Sound Re-Recording Mixer |
Kevin E. Carpenter | Sound Re-Recording Mixer |
Curt Schulkey | Supervising Dialogue Editor |
Troy Porter | ADR Mixer |
Yin Cantor | Assistant Sound Editor |
Victor Haboush | Visual Development, Character Designer |
J.C. Alvarez | Assistant Production Manager |
Lizbeth Velasco | Assistant Production Manager |
Adam Dotson | CG Animator |
Bruce Edwards | CG Animator |
Glenn Storm | CG Animator |
Les Major | CG Animator |
Mark R.R. Farquhar | CG Animator |
Minhee Choe | CG Animator |
Richard Baneham | CG Animator, Animation |
Stéphane Cros | CG Animator |
Vincent Truitner | CG Animator |
Yair Kantor | CG Animator |
Andrew Brownlow | CG Animator |
Grace Dotson | CG Animator |
Mike L. Murphy | CG Animator |
Susan Oslin | CG Animator |
Michael Leung | Visual Effects Technical Director, CGI Director |
Carla Fallberg | Sculptor |
Laura L. Corsiglia | Visual Development, Character Designer |
Ray Aragon | Visual Development, Character Designer |
Audrey Stedman | Layout |
Bill Thyen | Layout |
Conor Kavanagh | Layout |
Craig Voigt | Layout |
Emil Mitev | Layout |
Felipe Morell | Layout |
Francis Lang | Layout |
Frederick J. Gardner III | Layout |
James P. Alles | Layout |
Jennifer Yuan | Layout |
Karen Hamrock | Layout |
Lisa Souza | Layout |
Michael Tracy | Layout |
Teresa Coffey-Wellins | Layout |
Ron Roesch | Layout |
Virginie Foucault | Assistant Production Manager |
Leonard B. Vasquez | Assistant Production Manager |
Michelle Perslow | Assistant Production Manager |
Marнa Guerra | Assistant Production Manager |
Shannyn Gardner | Assistant Production Manager |
Sharon K. O'Neill | Assistant Production Manager |
Chrisie Rosenthal | Assistant Production Manager |
Christopher Brock | Background Designer |
Craig Robertson | Background Designer |
Dennis Durrell | Background Designer |
James Finn | Background Designer |
Joel Parod | Background Designer |
Jonathan Salt | Background Designer |
Nadia Vurbenova | Background Designer |
Wei M. Zhao | Background Designer |
Ann Guenther | Background Designer |
William Dely | Background Designer |
Hiroki Itokazu | Character Designer |
Teddy T. Yang | Character Designer |
Craig Valde | Animation |
Holger Leihe | Animation |
Jae Hyung Kim | Animation |
Jeff Etter | Animation |
Ken Hettig | Animation |
Kevin Johnson | Animation |
Lennie K. Graves | Animation |
Marcelo Fernandes De Moura | Animation |
Melina Sydney Padua | Animation |
Mike Chavez | Animation |
Michael Swofford | Animation |
Ralph Fernan | Animation |
Randy Myers | Animation |
Ricardo Curtis | Animation |
Roger Vizard | Animation |
Roy Meurin | Animation |
Russell Hall | Animation |
Ruth Daly | Animation |
Sean Springer | Animation |
Alex Williams | Animation |
Ernie Keen | Animation |
Jennifer Cardon Klein | Animation |
Jim Van der Keyl | Animation |
Mark Williams | Animation |
Bob Davies | Supervising Animator |
Mike Nguyen | Supervising Animator |
Wendy Perdue | Supervising Animator |
Chris Sauve | Supervising Animator |
Greg Manwaring | Supervising Animator |
Richard Bazley | Supervising Animator |
Michael Price | Music Programmer |
Jackie Blaisdell | Assistant Production Manager |
Steve Garcia | Animation |
Shane Prigmore | Animation |
Name | Title |
---|---|
Allison Abbate | Producer |
John Walker | Associate Producer |
Des McAnuff | Producer |
Pete Townshend | Executive Producer |
Organization | Category | Person | |
---|---|---|---|
Golden Globes | Best Animated Feature | N/A | Nominated |
Academy Awards | Best Animated Feature | N/A | Nominated |
Golden Globes | Best Animated Feature | N/A | Nominated |
Sundance Film Festival | Best Animated Feature | N/A | Won |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 62 | 111 | 49 |
2024 | 5 | 53 | 68 | 39 |
2024 | 6 | 54 | 96 | 35 |
2024 | 7 | 62 | 102 | 38 |
2024 | 8 | 76 | 239 | 36 |
2024 | 9 | 44 | 70 | 31 |
2024 | 10 | 61 | 107 | 31 |
2024 | 11 | 50 | 122 | 37 |
2024 | 12 | 44 | 60 | 32 |
2025 | 1 | 44 | 61 | 37 |
2025 | 2 | 36 | 49 | 9 |
2025 | 3 | 18 | 47 | 3 |
2025 | 4 | 8 | 9 | 6 |
2025 | 5 | 7 | 8 | 6 |
2025 | 6 | 6 | 7 | 5 |
2025 | 7 | 6 | 8 | 4 |
2025 | 8 | 6 | 6 | 5 |
Trending Position
Year | Month | High | Avg |
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2025 | 8 | 140 | 605 |
Year | Month | High | Avg |
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2025 | 7 | 220 | 685 |
Year | Month | High | Avg |
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2025 | 6 | 350 | 649 |
Year | Month | High | Avg |
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2025 | 5 | 246 | 718 |
Year | Month | High | Avg |
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2025 | 4 | 403 | 724 |
Year | Month | High | Avg |
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2025 | 3 | 266 | 736 |
Year | Month | High | Avg |
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2025 | 2 | 442 | 791 |
Year | Month | High | Avg |
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2025 | 1 | 444 | 814 |
Year | Month | High | Avg |
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2024 | 12 | 311 | 721 |
Year | Month | High | Avg |
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2024 | 11 | 437 | 746 |
Year | Month | High | Avg |
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2024 | 10 | 527 | 759 |
Year | Month | High | Avg |
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2024 | 9 | 487 | 774 |
Year | Month | High | Avg |
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2024 | 8 | 469 | 766 |
You are who you choose to be. It's the 1950s and young Hogarth Hughes happens upon a visitor from space ..... in the form of a giant iron man. Delightful animation adaptation of Ted Hughes' much beloved 1968 novel "The Iron Man". Set during the period of time when Cold War and sci-fi paranoia ... was prevalent, The Iron Giant embraces these themes and stokes them with lessons of friendship, hatred, death and pertinent reminders of pacifism. Directed by Brad Bird and scripted by Tim McCanilies and Andy Brent Forrester, The Iron Giant is one of those rare animation animals that delights the kids as much as it does the watching adults. Though the actual giant himself, with all his dazzling weaponry, is the star attraction on show, it's the iron colossus' inner conflict that gives the film its heart. Aided by his friend, young Hogarth, good old iron decides he doesn't want to be a big weapon, but the authorities, as is nearly always the way, just can't let it be. The unflinching attitude that ran through many of the 50s sci-fi schlockers was one of being "because we don't understand it, lets destroy it" is something that Ted Hughes and the film makers here capture perfectly. Sophisticated and intelligent in its approach and delivery, this is definitely one of the better animated film's from the modern age. 9/10 Voice work comes from Jennifer Anniston, Harry Connick Jr, Vin Diesel, James Gammon, Christopher McDonald, M. Emmet Walsh and Eli Marienthal.
When a ship is caught up in a storm, it's captain finds the most unlikely of saviours - but nobody back in the town of "Rockwell" believes him! Hardly surprising as he claimed to have been rescued by an hundred foot robot with bright yellow eyes. "Hogarth" is an enthusiastic young lad who wants to k ... eep a pet. His mother ("Annie") is having nothing to do with this, especially after one of his candidates manages to just about wreck the diner where she works and turn scrap man "Dean" into "Deana" in the process. Dejected at home alone, he hears some strange noises and armed with his pop gun and a torch, sets off into the forest to find the source. When he discovers that the fisherman's tale wasn't so long after all, the pair begin to bond and the story takes on a familiar look. It does have shades of "The Day The Earth Stood Still" as it shows clearly the typical reaction to something strange, new and big - the government and the army are soon in hot pursuit with little intent on diplomacy but with plenty of tanks, missiles and ultimately the "bomb" - just as destructive to them as to the "monster". It's really the characterisations that help this stand out. The style of animation is simple yet potent, the creature positively emanates a degree of decency and charisma and the relationship with the young boy that manifests itself to us is one that amiably resonates whether that be with a real friend, an imaginary one - or one from outer space who doesn't much like guns and has an almost infantile approach to life. Proof that when you have a solid story and tell it well, the gadgets, gismos (and there are a few, here) and visual effects don't matter so much as the soul of the thing.