Popularity: 1 (history)
Director: | Neil Jordan |
---|---|
Writer: | Moira Buffini |
Staring: |
Residents of a coastal town learn, with deadly consequences, the secret shared by the two mysterious women who have sought refuge at a local resort. | |
Release Date: | Apr 11, 2013 |
---|---|
Director: | Neil Jordan |
Writer: | Moira Buffini |
Genres: | Fantasy, Drama, Thriller |
Keywords | parent child relationship, vampire, bite, bat, blood sucking, eternal life |
Production Companies | Fís Éireann/Screen Ireland, Parallel Films, Lipsync Productions, Number 9 Films, Demarest Films, WestEnd Films |
Box Office |
Revenue: $89,237
Budget: $10,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Gemma Arterton | Clara Webb |
Saoirse Ronan | Eleanor Webb |
Sam Riley | Darvell |
Jonny Lee Miller | Ruthven |
Caleb Landry Jones | Frank |
Daniel Mays | Noel |
Kate Ashfield | Gabi |
Maria Doyle Kennedy | Morag |
Uri Gavriel | Savella |
Thure Lindhardt | Werner |
Barry Cassin | Robert Fowlds |
David Heap | Lap Dancing Client |
Warren Brown | Gareth |
Ruby Snape | Wendy |
Jenny Kavanagh | Barmaid |
Glenn Doherty | Steve |
Edyta Budnik | Nadia |
Gabriela Marcinková | Anya |
Caroline Johns | Young Clara |
Christine Marzano | Mrs. Strange |
Jeff Mash | Mark |
Ronnie Masterson | Old Lady in Hospital |
Patricia Loveland | Old Lady in Hotel |
Tom Hollander | Kevin Minton (uncredited) |
Name | Job |
---|---|
Neil Jordan | Director |
Moira Buffini | Theatre Play, Screenplay |
Ruth Coady | Production Executive |
Javier Navarrete | Original Music Composer, Music Producer |
Peter Burgis | Foley Artist |
Ben Shepherd | CG Supervisor |
Simon Elliott | Production Design |
Martin Goulding | Art Direction |
Marion Weise | Costume Supervisor |
Kevin Byrne | Special Effects Coordinator |
Colm Nolan | Location Manager |
Mark Nelmes | Visual Effects Supervisor |
Ilona Blyth | Visual Effects Producer |
Casper Mills | Location Manager |
Mark Auguste | Supervising Sound Editor |
Jamie Turpin | First Assistant Editor |
Vicky Grayson | Unit Publicist |
Edwin Ryan | Sculptor |
James Starr | Video Assist Operator |
Cian O'Laoi | Visual Effects Editor |
Alex Rouse | Wigmaker |
Patrick Redmond | Still Photographer |
Paul Edwards | Steadicam Operator |
Heather Phillips | Stunts |
Tony Aherne | First Assistant Director |
Niall Delaney | Production Accountant |
Lucie Graves | Post Production Supervisor |
Brendan Deasy | Sound Recordist |
Tony Lawson | Editor |
Bill Crutcher | Supervising Art Director |
Christopher Raphael | Still Photographer |
Brian Beaumont | Gaffer |
Louise Mathews | Assistant Art Director |
Lucy Tanner | Visual Effects Producer |
Paul Cotterell | Sound Re-Recording Mixer |
Conor Lynch | Video Assist Operator |
Noel Cullen | Gaffer |
Maria O'Connor | Location Manager |
Mary Alleguen | Production Manager |
Fionn Comerford | Camera Operator |
Rachel Neale | Production Manager |
Michael Connell | Music Editor |
Graeme Bird | Sculptor |
Donal O'Farrell | Stunt Coordinator |
Tom Wood | Visual Effects Supervisor |
Lynn Johnson | Makeup Artist, Key Makeup Artist |
Patrick O'Donoghue | Line Producer |
Colin Ritchie | ADR Editor |
Sam Auguste | Dialogue Editor |
Paul Hedges | Property Master |
Lorraine Brennan | Assistant Hairstylist |
Clare Lambe | Assistant Makeup Artist |
Catherine Argue | Additional Hairstylist |
Alexandra Joyce | Assistant Hairstylist |
Lorraine Glynn | Hair Designer |
Sevlene Roddy | Hairstylist |
Justin Pitkethly | Prosthetics Sculptor |
Waldo Mason | Prosthetic Designer |
Rosie Grant | Assistant Costume Designer |
Poli Kyriacou | Costume Assistant |
Peter Freeman | Extras Casting Coordinator |
Sean Leonard | Digital Imaging Technician |
Ingrid Whelan | Electrician |
Mark Thornton | Electrician |
Shane Deasy | First Assistant Camera |
Barney Piercy | First Assistant Camera |
Sean Creagh | Generator Operator |
Ian Buckley | Grip |
David O'Connor | Grip |
Louise McEllin | Second Assistant Camera |
Luke Cairns | Second Assistant Camera |
Redmond Morris | First Assistant Director |
Orla Carrol | Key Hair Stylist, Hairstylist |
Cerina Knott | Prosthetics |
Kathy Strachan | Assistant Costume Designer |
Ciara McArdle | Costume Assistant |
Miranda Howard-Williams | Casting Assistant |
Nic Lawson | Camera Operator |
Kelly McLaughlin | Electrician |
Ciaran Cullen | Electrician |
Damian Smyth | Electrician |
Conor Hammond | First Assistant Camera |
Philip McKeon | Focus Puller |
Davey Mayes | Generator Operator |
John Dunne | Grip |
Ian Glenister | Rigging Gaffer |
Jessica Drum | Second Assistant Camera |
Catherine Dunne | Second Assistant Director |
Peter Freeman | Second Unit First Assistant Director |
Derek Drew | Carpenter |
Fred Lee | Carpenter |
Martin Hayes | Construction Manager |
Paul Hedges Jr. | Dressing Prop |
Pilar Valencia | Graphic Designer |
Brendan Stephens | Painter |
David Lee | Standby Carpenter |
David Newell | Standby Carpenter |
Greg Evans | Standby Rigger |
Robbie Reilly | Standby Rigger |
Dermot Butler | Supervising Carpenter |
Marc Calvelo | Animation |
Matt Mitchell | Animation |
Lee F. Sullivan | CG Supervisor |
Sandrine Moniez | Compositor |
Adrian Banton | Digital Compositor |
Guy Elson | Digital Compositor |
Ivan Lima | Digital Compositor |
Emmanuel Pichereau | Digital Compositor |
Ruggero Tomasino | Digital Compositor |
Fran Martinez | Digital Compositor |
Ben Mars | Lead Animator |
Laura Millward | Visual Effects Coordinator |
Andy Burrow | Visual Effects Production Manager |
Sinisa Radosavljevic | Digital Compositor |
Scott Goulding | Online Editor |
Karen Elliott | Music Supervisor |
John McKenna | Armorer |
Alistair Rumball | Marine Coordinator |
Robert Farr | Additional Sound Re-Recording Mixer |
Glen Gathard | Foley Editor |
Natalie Moore | First Assistant Accountant |
Richard Phillips | Legal Services |
Jane McCabe | Production Coordinator |
Greg Demery | Carpenter |
John Kavanagh | Carpenter |
Paul Rigby | Carpenter |
Dan Crandon | Construction Manager |
David Wallace | Dressing Prop |
Daniel Lyons | Painter |
Paul Carter | Property Master |
Dave Barnett | Standby Carpenter |
Ben Lobb | Standby Painter |
Steve Sansom | Standby Rigger |
William Simpson | Storyboard Artist |
Mike Eames | Animation Supervisor |
Guliz Demiray | Animation |
Vivien Guiraud | Animation |
Emma Braney | CG Artist |
Marc Jouveneau | Compositor |
Dave Bannister | Digital Compositor |
Luke Butler | Digital Compositor |
Robert Jackson | Digital Compositor |
Jane Paton | Digital Compositor |
Andy Quinn | Digital Compositor |
Anthony Webb | Digital Compositor |
Neil Culley | Digital Compositor |
Craig Bardsley | Lead Animator |
Katie Roehrick | Visual Effects Coordinator |
Marko Radinkovic | Digital Compositor |
James Clarke | Digital Intermediate |
Kathleen Weir | Script Supervisor |
Liam O'Shea | Marine Coordinator |
Kate Lee | Unit Publicist |
Andrew Felton | Boom Operator |
Yanti Windrich | Sound Assistant |
Laura Crowley | Legal Services |
Catherine Greenhaigh-Kennedy | Production Assistant |
Alice Syed | Production Coordinator |
Sheila Fraser Milne | Production Executive |
Fiona Harper | Production Runner |
Will Haynes | Production Secretary |
Sam Cox | CG Artist |
Audrey Doyle | Makeup Artist |
Felix Levinson | Production Runner |
Julia Hall | Title Designer |
Deirdre Fitzgerald | Makeup Artist |
Edward Richardson | Standby Painter |
Susie Figgis | Casting |
Consolata Boyle | Costume Design |
Crispian Sallis | Art Direction |
Sean Bobbitt | Director of Photography, Camera Operator |
Sian Milne | Stunts |
Belinda McGinley | Stunts |
Arslan Elver | Animation |
Emma Scott | Production Executive |
Name | Title |
---|---|
Marc C. Manuel | Executive Producer |
Sharon Harel-Cohen | Executive Producer |
Redmond Morris | Co-Producer |
Elizabeth Karlsen | Producer |
William D. Johnson | Producer |
Danny Perkins | Executive Producer |
Ted O'Neal | Executive Producer |
Norman Merry | Executive Producer |
Peter Hampden | Executive Producer |
Dan McRae | Executive Producer |
Sam Englebardt | Producer |
Alan Moloney | Producer |
Stephen Woolley | Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 21 | 38 | 11 |
2024 | 5 | 25 | 55 | 14 |
2024 | 6 | 18 | 30 | 12 |
2024 | 7 | 23 | 43 | 10 |
2024 | 8 | 45 | 107 | 14 |
2024 | 9 | 15 | 31 | 10 |
2024 | 10 | 19 | 34 | 8 |
2024 | 11 | 18 | 62 | 9 |
2024 | 12 | 12 | 19 | 8 |
2025 | 1 | 13 | 20 | 9 |
2025 | 2 | 10 | 14 | 3 |
2025 | 3 | 5 | 19 | 1 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 1 | 1 | 1 |
2025 | 8 | 1 | 1 | 1 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 917 | 917 |
> The way I wanted like the old days, great! An Irish vampire movie, thus back to where the vampires were originated. There are no good vampire movies these days, all those are teen target products which are simply a fantasy flick. In the old days, its horror and terrifying ugly giant beasts, the ... werewolves were, but in the todays movies they are adorable giant wolves. It's either vampire movie or werewolf, the result is same. 'Twilight' or 'Vampire Academy' and others, just not my type, though watch them for entertainment and to keep up-to-date. The reason I watched it is for Saoirse Ronan, because I like her. But Gemma Arterton has been so good like always. To me this is what called a vampire movie. Of course, themes should vary from a movie to another, that does not mean one can completely abandon the basic theory. Neo-gothic is one of that, the present filmmakers forgets, because that kind of set-up gives Dracula effect. This film has been just like everything I wanted, so I enjoyed every bit. It is always great to see a movie that portrays the world over the span of 100 or more years. As usual survival and hiding the identity is the main intention for the concept. But from who (other than humans) and why is the suspense that reveals formally at the right time. If you like 'We're the Nights', then this is the right one to pick. But not great as 'Interview with the Vampire' was, in fact, it was directed by the same director. 7.5/10
With it's beautiful cinematography, steady pace, and understated acting, <i>Byzantium</i> is solid modern Gothic vampire tale. A bit reminiscent of <i>Interview with the Vampire</i> and <i>The Moth Diaries</i>, we see mother and daughter vampire in current day and through flashbacks and storytelling ... are told of how they came to be and the loneliness of their existence. <i>Byzantium</i> is a slow burn and never takes any drastic chances. It forgoes the cheese of many vampire films and remains melancholy throughout. This certainly won't be for everyone, yet there is definitely something worthy here.