Popularity: 3 (history)
Director: | Lawrence Guterman |
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Writer: | Lance Khazei |
Staring: |
Tim Avery, an aspiring cartoonist, finds himself in a predicament when his dog stumbles upon the mask of Loki. Then after conceiving an infant son "born of the mask", he discovers just how looney child raising can be. | |
Release Date: | Feb 11, 2005 |
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Director: | Lawrence Guterman |
Writer: | Lance Khazei |
Genres: | Family, Comedy, Fantasy, Adventure |
Keywords | baby, mask, villain, transformation, vikings (norsemen), slapstick comedy, superhero, based on comic, surrealism, dog, urban setting, wisecrack humor, super villain, norse mythology, supernatural power |
Production Companies | New Line Cinema, Radar Pictures, Dark Horse Entertainment, Kumar Mobiliengesellschaft mbH & Co. Projekt Nr. 1 KG |
Box Office |
Revenue: $59,918,422
Budget: $84,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Jamie Kennedy | Tim Avery |
Alan Cumming | Loki |
Traylor Howard | Tonya Avery |
Kal Penn | Jorge |
Steven Wright | Daniel Moss |
Ben Stein | Dr. Neuman |
Peter Callan | Museum Redneck |
Liam Falconer | Alvey |
Ryan Falconer | Alvey |
Brett Pickup | Museum Boy |
Ashley Lyons | Museum Security Guard |
Wayne McDaniel | Museum Person |
Sandy Winton | Chris |
Rebecca Massey | Clare |
Issac Longmuir | Chris & Clare's Child |
Tayzin Fahey-Leigh | Chris & Clare's Child |
Skyla Laginha | Chris & Clare's Child |
Lochie Nazer Hennings | Chris & Clare's Child |
Andie Rogers | Chris & Clare's Child |
Trilby Glover | Dream Nurse |
Josephine Chu | Tour Kid |
Solomon Freer | Tour Kid |
Ethan Coker | Tour Kid |
Ryan Johnson | Chad |
Victoria Thaine | Sylvia |
Bob Hoskins | Odin |
Duncan Young | Mansion Doorman |
Michelle Hopper | Band Member / Female Dancer |
Maya McClean | Band Member / Female Dancer |
Ebony Conditsis | Band Member / Female Dancer |
Ivah Seeto | Band Member / Female Dancer |
Amber Todd | Daniel's Assistant |
Damon Herriman | Animagine Employee |
Raj Ryan | Dr. Hamada |
Emma Jackson | Delivery Nurse |
Jerry Minor | Shopkeeper |
Holly Austin | Hospital Nurse |
Jeanette Cronin | Housewife |
Magda Szubanski | Neighbor Betty |
Peter Flett | Mr. Kemperbee |
Amanda Smyth | Mrs. Babcock, Obese |
Matt Passmore | Network Executive |
Tina Bursill | Network Executive |
Anthony Kierann | Network Executive |
Colin Borgonon | New York Executive |
Ling Cooper Tang | Animator |
Simon Maiden | Animator |
Michael Denkha | Animator |
Dorian Nkono | Animator |
Adam Moulds | Animator |
Wyvern 'Stevie' Wilkins | Male Dancer |
Hayes Loau | Male Dancer |
Chris Dair | Male Dancer |
Anthony Palmer | Male Dancer |
Ryan Sheppard | Male Dancer |
Harli Ames | Halloween Party-Goer |
Marney McQueen | Halloween Party-Goer |
Jaime Mears | Halloween Party-Goer |
Paul Pantano | Halloween Party-Goer |
Alberto Dominguez | Party-Goer |
Esosa Edmonds | Burly Female Traffic Cop Odin |
Peter Plusch | Reporter |
Joyce Kurtz | Baby Alvey (voice) |
Mona Marshall | Baby Alvey (voice) |
Mary Mouser | Alvey Avery (voice) |
Neil Ross | Deep Alvey Voice (voice) |
Richard Steven Horvitz | Otis (voice) |
Bill Farmer | Mask Otis (voice) |
Alyssa McClelland | Dream Nurse |
Name | Job |
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Debra Neil-Fisher | Editor |
Ben Wilkins | Sound Editor |
Frank Smathers | Sound Editor |
John Roesch | Foley Artist |
Barbara Harris | ADR Voice Casting |
Ned Gorman | Visual Effects Producer |
Bruce Jones | Visual Effects Producer |
Lawrence Guterman | Director |
Lance Khazei | Writer, Screenplay |
Greg Gardiner | Director of Photography |
Malcolm Campbell | Editor |
Jennifer Yuan | Background Designer |
Pat Sito | Production Manager |
Chuck Duke | Animation |
Dennis Venizelos | Background Designer |
Howard R. Campbell | Technical Supervisor |
John Dillon | Special Effects |
Michael Herbick | Sound Re-Recording Mixer |
Tom Tataranowicz | Animation Production Assistant |
Leslie Dilley | Production Design |
Kristin Witcombe | Script Supervisor |
Damien Beebe | Camera Operator |
Tov Belling | First Assistant Camera |
Matthew Copping | Dolly Grip |
Toby Copping | Key Grip |
Reg Garside | Gaffer |
Simon Harding | Steadicam Operator, Camera Operator |
Darrin Keough | Additional Camera |
David Knight | Steadicam Operator |
Gerard Maher | Clapper Loader |
Lee Mariano | Second Assistant "B" Camera |
Calum McFarlane | "A" Camera Operator |
Cameron Morley | Second Assistant Camera |
Jem Rayner | First Assistant Camera |
Carson Reaves | First Assistant Camera |
Matt Toll | First Assistant "A" Camera |
Brett Tracey | Clapper Loader |
John Trapman | Camera Operator |
Andrew Turman | Second Unit Director of Photography |
Vince Valitutti | Still Photographer |
Michael Vivian | Dolly Grip |
Aron Walker | Dolly Grip |
Adrien Seffrin | Focus Puller |
Damian Wyvill | Additional Camera |
Jim Passon | Color Timer |
James E. Price | Second Unit Director, Visual Effects Supervisor |
Beau Marks | Unit Production Manager |
Jennifer Cornwell | Unit Production Manager |
Toby Pease | First Assistant Director |
Naomi Enfield | Second Assistant Director |
Susan MacLeod | Visual Effects Producer |
Michelle McGahey | Supervising Art Director |
Bill Booth | Supervising Art Director |
Brian Dusting | Art Direction, Property Master |
Tricia McInally | Art Department Coordinator |
Rebecca Cohen | Set Decoration |
Andrew Short | Set Dresser |
Jo-Ann Beikoff | Set Dresser |
Paul 'Salty' Brincat | Sound Recordist |
Gary Dixon | Boom Operator |
Lynell Bangs | Production Accountant |
Keith Young | Choreographer |
Giovanni Pacialeo | Second Second Assistant Director |
Martin Allan Kloner | Visual Effects Editor |
Greg Hedgepath | Supervising Sound Editor |
David A. Cohen | Supervising Dialogue Editor |
Brian W. Jennings | Sound Editor |
Mark Larry | Sound Editor |
Eddie Kim | Sound Editor |
James Azizi Penny | Sound Editor |
Michael Edward Johnson | Sound Editor |
Fred Stafford | ADR Editor |
Thom Brennan | Foley Supervisor |
Nancy Barker | First Assistant Sound Editor |
Alyson Dee Moore | Foley Artist |
Mary Jo Lang | Foley Mixer |
Scott Morgan | Foley Recordist |
Ron Bedrosian | ADR Mixer |
Weldon Brown | ADR Mixer |
Julio Carmona | ADR Recordist |
Daryl Lathrop | ADR Recordist |
Jon Taylor | Sound Re-Recording Mixer |
Brad Sherman | Sound Re-Recording Mixer |
Mary-Liz Andrews | Construction Coordinator |
Chiara Tripodi | Makeup & Hair |
Toni Ffrench | Makeup & Hair |
Erica Wells | Makeup & Hair |
Nadia Cowell | Makeup & Hair |
Colleen Bachman | Visual Effects Coordinator |
Edward Hirsh | Visual Effects Supervisor |
Thomas Schelesny | Visual Effects Supervisor |
David Dupuis | Prosthetic Makeup Artist |
Brian Sipe | Special Effects Makeup Artist |
Fiona Searson | Unit Publicist |
Andrew Silver | Music Editor |
Ralph Ferraro | Orchestrator |
Christy Gerhart | Music Coordinator |
Mark Dornfeld | Visual Effects Supervisor |
Michele Ferrone | Visual Effects Producer |
Rick Downey | Negative Cutter |
John Coniglio | Editor |
Randy Edelman | Original Music Composer |
Marc Spicer | Camera Operator |
David Birrell | Assistant Editor |
Roger Mussenden | Casting |
Mary E. Vogt | Costume Design |
Bobbi Banks | ADR Supervisor |
Damien Carr | Visual Effects Coordinator |
Name | Title |
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Erica Huggins | Producer |
Dae Won Cho | Producer |
Sean Gorman | Associate Producer |
Stephen Jones | Co-Producer |
Scott Kroopf | Producer |
Beau Marks | Executive Producer |
Michele Weiss | Executive Producer |
Kent Alterman | Executive Producer |
Toby Emmerich | Executive Producer |
Mike Richardson | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 34 | 40 | 25 |
2024 | 5 | 41 | 55 | 22 |
2024 | 6 | 39 | 67 | 23 |
2024 | 7 | 40 | 73 | 26 |
2024 | 8 | 41 | 66 | 22 |
2024 | 9 | 34 | 67 | 25 |
2024 | 10 | 40 | 79 | 26 |
2024 | 11 | 38 | 103 | 24 |
2024 | 12 | 33 | 65 | 24 |
2025 | 1 | 34 | 47 | 25 |
2025 | 2 | 26 | 34 | 6 |
2025 | 3 | 11 | 35 | 2 |
2025 | 4 | 3 | 4 | 3 |
2025 | 5 | 3 | 5 | 2 |
2025 | 6 | 4 | 5 | 3 |
2025 | 7 | 3 | 4 | 3 |
2025 | 8 | 3 | 4 | 3 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 900 | 900 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 782 | 782 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 617 | 777 |
Just as awful as I had anticipated. With that said, it's nothing so bad that it offended me - it's simply totally and utterly bad, to the point I kinda find it hard to hate on it because I just don't have any thoughts on it. It is, without question, undoubtedly worse than 1994's <em>'The Mask'</em> ... in every conceivable way though. Jamie Kennedy's version of this Dark Horse Comics character is truly dreadful, especially visually, though thankfully the film doesn't actually give that much air time to Kennedy as The Mask; like, he's there but it's predominantly the dog and the son that get much of the screen time alongside Alan Cumming's Loki - to slightly better effect too, the way the kid is animated kinda nearly works... it doesn't, but almost. Ryan Reynolds, <a href="https://youtu.be/X4ctYxLoXdo?t=406" rel="nofollow">according</a> to Kennedy himself, possibly wanted this role. It's lucky Reynolds didn't get his way, or he'd be stuck with a green ghoul in his past. <a href="https://letterboxd.com/film/green-lantern/" rel="nofollow">Oh, wait!</a> 4/10 is probably generous on my part, though there are far worse films out there that actually annoy me - <em>'Son of the Mask'</em> honestly doesn't. It kinda just exists and I'm almost nonplussed about it.
**A film made to make money off the success of its predecessor, but which has nothing to do with it.** Anyone who saw the movie “The Mask” with Jim Carey, from 1994, cannot remain indifferent. It's one of those family comedies that marked the 90's and that strongly contributed to the meteoric ris ... e of the comic actor's career. It was a film that, in my opinion, did not need a sequel, but that, if it came to exist, would have to have the same crew and a similar cast (that is, keeping, at least, Carey and some other actors). Unfortunately, this movie does everything it shouldn't have done. In fact, any comparison between the first movie and this crap is pointless. It is not the first time that I see that there are sequels made to profit from great successes and that have virtually no connection with the preceding films. This is just one more example. Jim Carey was right not to want to associate himself with a project that failed at the outset, not least because most of the cast that associated with the film did not manage to take advantage of it beyond the financial inflow. The film is clearly expensive and stupid. It had a high budget, which was invested in a range of CGI assets and massive and sometimes impressive visual effects, but everything else is lacking. And the film's biggest flaw couldn't be any other: the script is so amateurish and idiotic that it seems to have been written by ten-year-old children. Ideas are bad, there are a number of situations in which we feel that the public is being mocked, and our intelligence is being mocked too. Another problem with this film is the total lack of humor. The movie was supposed to be funny and make us laugh, but we couldn't find anything funny. Much of what is shown was already done – and better – in the first film, and what has been introduced as new is a series of scatological or gross jokes that, I think, could have been cut. Even children's audiences might not be very interested in seeing this, if you think about it. The cast does what they can, but they can't do much. Deep down, the actors end up being the least to blame for the fact that the film is rubbish. Alan Cumming turns out to be the best actor present and is the only one worth seeing work. He's an effective villain and his comedic streak is interesting, but totally wasted here. Bob Hoskins makes an appearance, but it is innocuous and adds nothing to the film. Jamie Kennedy is bad, he does a bad job, and surely he must be sorry he got into this movie. The rest is basically a bunch of extras, even when they have to talk.