Popularity: 0.4 (history)
Director: | Gavin Fields |
---|---|
Writer: | Gavin Fields |
Staring: |
In 1948, the Trouths are facing no income and the hottest summer on record. When their estranged son inexplicably returns, the apartment is full again - but is it big enough for the gambling, trauma, and substantial life insurance policy that comes in his wake? | |
Release Date: | Sep 22, 2022 |
---|---|
Director: | Gavin Fields |
Writer: | Gavin Fields |
Genres: | Drama |
Keywords | gambling debt, art house, life insurance, family drama, period drama, family conflict, family tragedy, family power struggle, murder investigation, knife murder, 1940s, family conflicts, color film noir |
Production Companies | Traverse Media, Lil Cowboy |
Box Office |
Revenue: $0
Budget: $130,000 |
Updates |
Updated: Aug 03, 2024 (Update) Entered: Apr 27, 2024 |
Name | Character |
---|---|
Shuler Hensley | Randy Hawkes |
Shelby Grady | Marianne Trouth |
Colleen Madden | Gayle Trouth |
James Ridge | Louis Trouth |
Houston Settle | Junior Trouth |
Markwood Fields | Charlie Trouth |
Moses Jones | Ivan Barnett |
Ole Goode | Officer Lutz |
Matt Nassar | Officer Ray |
Name | Job |
---|---|
Gavin Fields | Writer, Director |
Steven Carmona | Director of Photography |
Annie Johnson | Makeup & Hair |
Davis Woodall | First Assistant Director |
Christian Avalos-Munoz | Foley Artist |
Joseph R. De Guzman | Dialogue Editor |
Thatcher Moses | Boom Operator |
Daniel Navajas | Sound Editor |
Bill Sloyer | Sound Editor |
Fin Boyson | Second Assistant Camera |
Nathan DeWild | Camera Operator |
Brady Griffin | Key Grip |
Garrett Henderson-Black | Camera Operator |
Collin Schepers | First Assistant Camera |
Tyler Whitsett | First Assistant Camera |
Spencer Nessel | Catering |
Andrew Burke | Music |
James T. Cernero | Editor |
Peyton Bristol | Production Manager |
David Russell | Property Master |
Levi Carter | Production Sound Mixer |
Jason Milversted | Dialogue Editor |
Josh Murphy | Foley Artist |
Ray Quintana | Dialogue Editor |
Brad Whitcanack | Sound Effects Editor |
Joseph Cruz | Dolly Grip |
Tom Festo | Gaffer |
Cameron Gustman | Best Boy Grip |
Sid Ramirez | Best Boy Electric |
Ryan Whitsett | Camera Production Assistant |
Brittany Danese | Script Supervisor |
Name | Title |
---|---|
Shelby Grady | Producer |
Gavin Fields | Co-Producer |
Roger M. Mayer | Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 2 | 5 | 1 |
2024 | 5 | 4 | 8 | 2 |
2024 | 6 | 3 | 8 | 1 |
2024 | 7 | 5 | 10 | 1 |
2024 | 8 | 7 | 18 | 2 |
2024 | 9 | 2 | 5 | 1 |
2024 | 10 | 3 | 7 | 1 |
2024 | 11 | 4 | 18 | 1 |
2024 | 12 | 1 | 2 | 1 |
2025 | 1 | 1 | 2 | 1 |
2025 | 2 | 2 | 3 | 1 |
2025 | 3 | 1 | 1 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 1 | 1 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 0 | 0 | 0 |
2025 | 8 | 0 | 0 | 0 |
Trending Position
**By: Louisa Moore / www.ScreenZealots.com** _This film was screened at Fantastic Fest_ “Brutal Season,” writer / director Gavin Fields‘ homage to “Death of a Salesman,” feels like a stage play that’s been filmed for the screen. More experimental than straightforward, this is a film that’s fil ... led with difficult themes. While it may not be easy to watch, this is a potent drama with solid writing. It’s a sweltering summer in Redhook, Brooklyn, and the Trout family is staring down the poverty line when the man of the house can’t seem to find work. He’s desperately looking for anything he can get in order to provide income to his family, but it’s not making things any better for the others who share the apartment. Tensions are heightened when their estranged son returns after being away for over a decade. It’s an ominous reunion that brings painful, long-buried memories to the surface. The story takes place around the family’s kitchen table as they deal with old (and new) wounds that run deep. From far-reaching guilt and regret to alcoholism and debt, this isn’t the type of movie that makes you feel good. But by exploring tough issues like the underlying trauma of this American family, Fields paints an honest portrait of working class struggles. This is a conversational drama with effective writing and intelligent verbal exchanges between the characters. The cast is terrific, and their performances complement the dialogue. There’s no action, only words, which means the screenplay and the actors are called on to do most of the heavy lifting. Fields sets the mood with a haunting score and handsome directing, and the cinematography has a noir-ish quality that fits the material well. The film could benefit from a quicker pacing, but “Brutal Season” completely achieves the tone it was going for.