Alien Nation
Prepare Yourself.
1988 | 91m | English
Popularity: 1 (history)
| Director: | Graham Baker |
|---|---|
| Writer: | Rockne S. O'Bannon |
| Staring: |
| A few years from now, Earth will have the first contact with an alien civilization. These aliens, known as Newcomers, slowly begin to be integrated into human society after years of quarantine. | |
| Release Date: | Oct 07, 1988 |
|---|---|
| Director: | Graham Baker |
| Writer: | Rockne S. O'Bannon |
| Genres: | Crime, Science Fiction, Thriller |
| Keywords | delinquency, cop, alien invasion |
| Production Companies | 20th Century Fox, Pacific Western, American Entertainment Partners II L.P. |
| Box Office |
Revenue: $32,155,047
Budget: $16,000,000 |
| Updates |
Updated: Feb 05, 2026 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| James Caan | Matthew Sykes |
| Mandy Patinkin | Samuel 'George' Francisco |
| Terence Stamp | William Harcourt |
| Kevyn Major Howard | Rudyard Kipling |
| Leslie Bevis | Cassandra |
| Peter Jason | Fedorchuk |
| Conrad Dunn | Quint |
| Jeff Kober | Joshua Strader |
| Roger Aaron Brown | Bill Tuggle |
| Francis X. McCarthy | Captain Warner |
| Brian Thompson | Trent Porter |
| Tony Perez | Alterez |
| Tony Simotes | Wiltey |
| Jade Calegory | Mark |
| Angela O'Neill | Kristin Sykes |
| Name | Job |
|---|---|
| John Warnke | Set Designer |
| Rockne S. O'Bannon | Screenplay |
| Adam Greenberg | Director of Photography |
| Mark Mangini | Supervising Sound Editor |
| Conrad E. Palmisano | Stunt Coordinator, Second Unit Director |
| Dick Ziker | Stunts |
| Dick Warlock | Stunts |
| Graham Baker | Director |
| Kent Beyda | Editor |
| Joseph C. Nemec III | Art Direction |
| Nigel A. Boucher | Leadman |
| Kevin F. Cleary | Sound Re-Recording Mixer |
| Jono Kouzouyan | Gaffer |
| Daniel J. Johnson | Music Editor |
| Mike Benson | Camera Operator |
| Curt Sobel | Original Music Composer |
| Karen Rea | Casting |
| Jim Duffy | Set Decoration |
| Dennis DeWaay | Construction Coordinator |
| Don J. Bassman | Sound Re-Recording Mixer |
| Richard Overton | Sound Re-Recording Mixer |
| Jane O'Neal | Still Photographer |
| Michael J. Long | Costume Supervisor |
| Carlton Kaller | Music Editor |
| Janice Alexander | Hairstylist |
| Herb Adelman | First Assistant Director |
| Steve Bowerman | Boom Operator |
| Christopher Flick | Foley Editor |
| Michael J. Benavente | Sound Editor |
| Colin C. Mouat | Sound Editor |
| Lucy Coldsnow-Smith | Sound Editor |
| Donald Dahlquist | Best Boy Electric |
| Gene Kearney | Key Grip |
| Doreen Lane | Casting Assistant |
| Jeffrey Machit | Special Effects |
| Michael P. Stipe | Special Effects |
| Bill Davis | Armorer |
| Bill Borden | Production Executive |
| Jean Morrisey | Assistant Editor |
| Gary Burritt | Negative Cutter |
| Robert Renga | Sound Recordist |
| Glory Fioramonti | Stunts |
| Bob Muñoz | Best Boy Grip |
| Jack T. Collis | Production Design |
| Erica Edell Phillips | Costume Design |
| Kevin E. Carpenter | Sound Re-Recording Mixer |
| Joseph A. Unsinn | Special Effects Coordinator |
| Philip Caplan | Camera Operator |
| Linda Serijan | Costume Supervisor |
| Zoltan Elek | Makeup Artist |
| Newt Arnold | First Assistant Director |
| Nicholas Korda | ADR Editor |
| Gordon Webb | Boom Operator |
| Peter Tomaszewicz | Foley Editor |
| Warren Hamilton Jr. | Sound Editor |
| Solange S. Schwalbe | Sound Editor |
| David MacMillan | Sound Mixer |
| John Pierce | Best Boy Electric |
| Donald L. Hartley | Dolly Grip |
| Alicia Craft | Second Assistant Camera |
| Franklyn Warren | Extras Casting |
| Alan Rifkin | Special Effects |
| Monty Shook | Visual Effects Designer |
| Ernest Farino | Title Designer |
| Don Brochu | Additional Editor |
| Katalin Elek | Makeup Artist |
| Steven E. Fegley | Construction Foreman |
| Charleen Richards-Steeves | ADR Mixer |
| Jerry Trent | Foley Artist |
| Donlee Jorgensen | Sound Editor |
| David Spence | Sound Editor |
| Charles M. Wilborn | Sound Mixer |
| David Christie | Best Boy Grip |
| Vance Piper | First Assistant Camera |
| Frank M. Holgate | Second Unit Director of Photography |
| Richard Lopez | Special Effects |
| John Robles | Special Effects |
| Dan Bronson | Costumer |
| Janis Benjamin Collister | Production Coordinator |
| Tracy Granger | Assistant Editor |
| Phil Downey | Color Timer |
| Louis S. Fleming | Property Master |
| Lorraine Salk | Assistant Editor |
| Anne Warner | Script Supervisor |
| Simone Boisseree | Stunts |
| Sarah Elgart | Choreographer |
| Crit Killen | Propmaker |
| Debbie Evans | Stunts |
| Eugene Collier | Stunts |
| George Fisher | Stunts |
| Erik Cord | Stunts |
| Wayne Allwine | Sound Editor |
| Name | Title |
|---|---|
| Richard Kobritz | Producer |
| Gale Anne Hurd | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 15 | 25 | 8 |
| 2024 | 5 | 17 | 30 | 12 |
| 2024 | 6 | 16 | 27 | 12 |
| 2024 | 7 | 21 | 42 | 9 |
| 2024 | 8 | 31 | 51 | 12 |
| 2024 | 9 | 13 | 18 | 8 |
| 2024 | 10 | 16 | 35 | 10 |
| 2024 | 11 | 14 | 26 | 7 |
| 2024 | 12 | 12 | 22 | 7 |
| 2025 | 1 | 11 | 22 | 6 |
| 2025 | 2 | 8 | 10 | 3 |
| 2025 | 3 | 5 | 11 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 1 | 1 | 0 |
| 2025 | 9 | 1 | 2 | 1 |
| 2025 | 10 | 1 | 3 | 1 |
| 2025 | 11 | 2 | 5 | 1 |
| 2025 | 12 | 2 | 6 | 0 |
| 2026 | 1 | 1 | 1 | 0 |
| 2026 | 2 | 0 | 1 | 0 |
Trending Position
"Alien Nation" is a very routine film that doesn't even attempt to add any additional layers to provide a sense of mystery or intrigue and it also isn't helped by a desperately predictable quality. You know from the beginning that William Harcourt is up to no good and even the series of murders is c ... onveniently solved in a risible and problem free fashion. The film also has the feel of a television movie-of-the-week throughout and there is no sense of adventure - or even a baffling and perplexing secret at the heart of the story for that matter - and there is a distinct feeling that everyone involved in front and behind the cameras is just going through the motions for the sake of a lucrative pay day and they have no real interest in how the finished film will turn out.