| A young addict dealing with the loss of his abusive father finds himself in an unfavorable circumstance after developing an intimate relationship with a charming and dangerous stranger, this manipulative roommate sends him down a path of destruction that comes with a risky price. Teaching him about life, sex, and fighting back. | |
| Release Date: | Sep 10, 2022 |
|---|---|
| Director: | Barry Jay |
| Writer: | Barry Jay |
| Genres: | Drama, Horror |
| Keywords | abusive father, alcoholism, death of father, serial killer, lgbt, alcoholics anonymous, gay theme, the way out |
| Production Companies | Calvin Productions, Dead I Productions, Fight or Flight Films |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Jan 28, 2026 Entered: Apr 21, 2024 |
| Name | Character |
|---|---|
| Jonny Beauchamp | Alex Romero |
| Mike C. Manning | Shane Collins |
| Ashleigh Murray | Gracie Jean Smith |
| Sherri Shepherd | Veronica Carl |
| Damien Diaz | Randy |
| Alison Robertson | Detective Braden Cole |
| Mitch Silpa | Dale |
| Nick Theurer | Brent |
| Trey Gerrald | Freddy |
| Evan Todd | Grant |
| Rena Bobbs | Kirsty |
| Ed Gonzalez Moreno | Attacker |
| Mack Kuhr | Henry |
| Nick Scott | Detective |
| Anthony Ruiz | Phil Romero |
| Amy Chang | Marty |
| D'Arquoia Connor | News Anchor |
| Fabian Xavier | Young Alex |
| Muhammed Mustafa Özdemir | John |
| Name | Job |
|---|---|
| Kevin DeKimpe | Editor |
| Barry Jay | Writer, Director |
| Nieves Garcia Perchin | Script Supervisor |
| Dominick Sivilli | Director of Photography |
| Name | Title |
|---|---|
| Barry Jay | Executive Producer |
| Artisha Mann-Cooper | Producer |
| Carl Rumbaugh | Producer |
| Sherri Shepherd | Executive Producer |
| Nick Theurer | Producer |
| Muhammed Mustafa Özdemir | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 3 | 5 | 1 |
| 2024 | 5 | 3 | 6 | 2 |
| 2024 | 6 | 2 | 4 | 1 |
| 2024 | 7 | 11 | 36 | 1 |
| 2024 | 8 | 7 | 13 | 3 |
| 2024 | 9 | 3 | 6 | 1 |
| 2024 | 10 | 4 | 8 | 2 |
| 2024 | 11 | 3 | 7 | 1 |
| 2024 | 12 | 3 | 6 | 1 |
| 2025 | 1 | 2 | 4 | 1 |
| 2025 | 2 | 2 | 4 | 1 |
| 2025 | 3 | 1 | 2 | 1 |
| 2025 | 5 | 2 | 4 | 1 |
| 2025 | 6 | 2 | 6 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 0 | 0 |
| 2025 | 9 | 0 | 0 | 0 |
| 2025 | 10 | 0 | 1 | 0 |
| 2025 | 11 | 0 | 0 | 0 |
| 2025 | 12 | 0 | 0 | 0 |
| 2026 | 1 | 0 | 1 | 0 |
| 2026 | 2 | 0 | 0 | 0 |
Trending Position
"Alex" (Jonny Beauchamp) is a young man recovering from a ghastly relationship with his father. He's pretty broke, in a bit of an emotional cul-de-sac and working as a pizza boy when he encounters the enigmatic and charming "Shane" (Mike Manning) with whom he soon becomes fascinated, infatuated and ... every so slightly obsessed. His new mentor determines to push "Alex" to his limits, then beyond those limits - enabling him to more fully enjoy sex, but also to be able to defend himself from those who would gay-bash him. As you will expect, there is quite a bit more to "Shane", and as this revenge thriller pans out, we discover a little more of just how his eye-for-an-eye mentality delivers brutal and violent results. My problems with this were twofold. The dialogue is extremely uninspiring, pedestrian even. This story deals with real issues faced by many young gay men who have difficulties with their parents, their friends, with alcohol and their own self-esteem and self-worth. The writing here is just too light-weight and it doesn't arm either character - especially Beauchamp - with enough to really punch through. The second is the woefully underlit photography. It's as if it were all being shot using some candles, or a Davy lamp. That works at certain stages of the story, but after a while I felt the whole point of "Alex" not having to live in the shadows was being compromised by director Barry Jay's choice to film it as if we were all in a cave. It's a solid story that looks at a few salient (and criminal) point. This just doesn't deliver that story very well.