Maryland
2022 | 25m | English
Popularity: 0.5 (history)
| Director: | Brian Hill, Lucy Kirkwood |
|---|---|
| Writer: | Lucy Kirkwood |
| Staring: |
| Two women named Mary -- both recently sexually assaulted by the same man -- meet at the police station and enter into the world that victims of assault have to endure, guided by a police constable and his colleague. As the action unfolds, it is commented on by the Furies -- a chorus of murdered women seen and heard only by the viewer. Flashes of wit and humour temper a dark and difficult subject. | |
| Release Date: | Jul 20, 2022 |
|---|---|
| Director: | Brian Hill, Lucy Kirkwood |
| Writer: | Lucy Kirkwood |
| Genres: | Drama |
| Keywords | based on play or musical, sexual assault, greek chorus |
| Production Companies | Century Films, View From the Hill |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Jan 30, 2026 Entered: Apr 26, 2024 |
| Name | Character |
|---|---|
| Hayley Squires | Mary |
| Zawe Ashton | Also Mary |
| Daniel Mays | PC Moody |
| Justine Mitchell | PC Eddowes |
| Zainab Hasan | Fury |
| Jennifer Joseph | Fury |
| Sarah Lam | Fury |
| Gabriella Leon | Fury |
| Sarah Woodward | Fury |
| Name | Job |
|---|---|
| Brian Hill | Director |
| Lucy Kirkwood | Director, Writer |
| Susanne Salavati | Director of Photography |
| Sophie Becher | Production Designer |
| Greg Bradlaugh | Production Designer |
| David Charap | Editor |
| Amy Ball | Casting Director |
| Joanne Dixon | Unit Production Manager |
| Lindsey Powell | Location Manager |
| Edward Corrigan | Online Editor |
| Nainita Desai | Original Music Composer |
| Jake Whitelee | Sound Mixer |
| Name | Title |
|---|---|
| Vicky Featherstone | Executive Producer |
| Caroline Levy | Producer |
| Lucy Morrison | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 3 | 7 | 1 |
| 2024 | 5 | 3 | 8 | 1 |
| 2024 | 6 | 3 | 12 | 1 |
| 2024 | 7 | 4 | 7 | 1 |
| 2024 | 8 | 2 | 6 | 1 |
| 2024 | 9 | 1 | 2 | 1 |
| 2024 | 10 | 2 | 7 | 1 |
| 2024 | 11 | 1 | 2 | 1 |
| 2024 | 12 | 1 | 2 | 1 |
| 2025 | 1 | 1 | 3 | 1 |
| 2025 | 2 | 1 | 1 | 1 |
| 2025 | 3 | 1 | 2 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 1 | 2 | 0 |
| 2025 | 9 | 1 | 2 | 0 |
| 2025 | 10 | 2 | 2 | 1 |
| 2025 | 11 | 2 | 11 | 0 |
| 2025 | 12 | 0 | 0 | 0 |
| 2026 | 1 | 0 | 0 | 0 |
| 2026 | 2 | 0 | 0 | 0 |
Trending Position
This is definitely a message movie. It revolves around two women named Mary who have both been sexually assaulted. They are assisted at the police station by an inappropriately jolly male PC and a female PC, also named Mary. In addition, there is a sort of Greek chorus of women who pose rhetorical q ... uestions, chant and tell anecdotes about what they have done or would do in certain situations involving men. By now you may have surmised correctly that this is a feminist work. Since I have been married to a feminist for decades. I didn’t find it very informative, and certainly not entertaining, as that is not at all the intention, but I can see where it might be a service to show it to women and men who haven’t been exposed to the feminist issues it raises. Oh, and it is only 25 minutes long, so even a male knuckle-dragging troglodyte should be able to make it through it if supplied with praise and snacks for their effort.